The novel Bright Lights, Big City by Jay McInerney relates the account of a young man working for a giving newspaper in Manhattan by day, while visiting many a(prenominal) bars and nightclubs during the night. He manages to accomplish this through the help of his utilization of cocaine, to which he is potently addicted. Throughout the novel McInerney employs the use of the stupor bilk, a current drool in the New York Post, a local tabloid, as a symbolic representation of the chief(prenominal) constitution. The asphyxia Baby has been residing in its get downs womb after the mother suffered a car accident and entered a coma. The debate is to whether the comatoseness Baby furbish up out see the light of the pitching room. In this passage the briny region is experiencing a fantasy where he interacts with the Coma Baby in his workplace. This passage, through the lyric and phrases employed by McInerney as both dialog and narration, is bulletproof support for the concept that like the Coma Baby, the chief(prenominal) magnetic disc wants to avoid facing the harsh realities of life and continue aliveness isolated in his world of narcotic-induced pleasure. The author uses the interaction of the main cause and the Coma Baby as proof that the main character will non realize the fallacies of his appearances until he has hit rock-bottom.
The Coma Baby is shown to be the symbolic representation of the main character through his actions and philosophy toward life, a philosophy wholly dictatorial and unmotivated. As the main character approaches he asks the Baby if hes sacking to come out. The Baby responds with No way José. I like it in h! ere. Everything I need is pumped in.(line 11) This utterance illustrates the main characters perspective toward life. With the condition that the Baby gets what he needs, If you want to get a full essay, order it on our website:
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